Water for the day
For her third album Shelley Short has assembled a collection of intimate
songs, referring to them as ‘a diary of a barmy time that was 2006 and
2007”. Leaving Chicago in the wake of her widely praised Captain
Wildhorse (Rides The Heart Of Tomorrow), Shelley jettisoned her band and
took up residence in Los Angeles with her new love and sometime
collaborator Alexis Gideon. There she picked up the pieces of a
half-recorded (with Jamie Carter in Chicago) album and molded the
collection into a coherent whole with recording engineer Raymond
Richards. “Most of the songs were influenced by strings or webs that
seems to tie everything together, and every so often you can get a
glimpse of them and try to see how they work, where they go, and why
they cling to the things they do.” While mixing at their home in LA
Short and Gideon wisely made Shelley’s voice the centerpiece throughout,
lending a campfire glow to the album. Notwithstanding, Short is
accompanied by veterans Rachel Blumberg (M Ward, Bright Eyes,
Decemberists) on drums, Tiffany Kowalski (Bright Eyes) on violin, Gary
James on bass, and Alexis Gideon offering some clever guitar work. The
instrumentation—particularly on the ballads—is inventive and surprising,
taking more risks than prior albums: The subtle percolating guitar
notes in “Swimming” evoke water, while the polarized frequencies of
bells and kick drum in “How Grand” pique the ear. The songs are
personal and dreamlike; the lyrics following a stream of consciousness
more than a storyline. Fittingly, the title for the record comes from a
dream Shelley had before moving to LA. “I was told I was saying in my
sleep, ‘Water for the day! Water for the day!”
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